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Not all of the user interface changes in Nuendo 5 are to be criticised, however. I couldn't have named them better myself, though I probably would have opted for a different spelling. The only slight shame is that you can't edit these values directly from the Status Line, although there are some handy shortcuts. The Marker window has been updated so that different attributes can now be associated with Markers.

Here you can see how Markers might be created to help organise an ADR session. While Markers and Cycle Markers are still essentially used to locate single points and ranges within a Project respectively, the Marker window now allows a number of different attributes to be associated with each Marker entry, beyond simply a name. An example of where having such Marker attributes is useful in media production would be when working with ADR.

Additional Dialogue Recording is where you have a character in a film or TV show who suddenly speaks in a slightly different tone than usual, and whose mouth movements don't quite match the words being uttered. Well, that's if it's done badly. ADR is all about replacing or adding pieces of dialogue, and in Nuendo 5 you can manage an ADR session by creating Cycle Markers to cover the area for each bit of dialogue that needs to be recorded.

Using the Marker window, you can then assign attributes such as Character, Actor's Name, and even enter the line of dialogue itself to each Cycle Marker. Attributes can also be more than just text labels. In the case of the ADR example, you could add a Rec ord Done attribute, providing a convenient tick box to flag which lines have been recorded.

Should you require attributes that aren't provided by default, you can even create your own custom alternatives. The Marker window arranges attributes into columns, where each Marker has its own row, as before, and there's even extended space in the lower part of the window where additional attributes can be edited for the currently selected Marker.

In the main area, each attribute column can be configured to sort or filter the Marker list according to the content it contains. This means that if you use the Character attribute for ADR entries, for example, you can filter the Marker list to show only the Markers that indicate lines of dialogue for any given character. You can see how this would be really useful. In addition to creating Markers manually, they can also be created for you by importing different types of files.

With the ability to create so many different Markers, you might be thinking that your Project's Marker track is going to get rather full. However, Nuendo 5 allows multiple Marker tracks to be created, making it possible to have a Marker track specifically for ADR entries, another for sound effects, and so on. To avoid confusion, only one Marker track can be active at any time, and this will be the one that appears in the Marker window and responds to transport commands.

For example, having multiple Marker tracks could be very useful if you wanted to create Markers for different instrument overdubs that need to be recorded. And you could use the attributes for making take or section notes, or even for incorporating a director's fix notes if you're scoring to picture directly into the Project. Overall, the new Marker window functionality is a welcome addition, and one wonders if Steinberg will continue developing this further in future versions.

It has, for example, all the signs of becoming a useful conforming tool The new Export Clip Package window makes it possible for groups of audio events to be exported as a single file. Another powerful feature that can assist in keeping your Projects organised in Nuendo 5 is a new type of container for audio events, called a Clip Package.

Imagine you're layering a number of audio events on different tracks to create a composite sound that you will want to use again in the same or another Project. Steinberg suggest the example of a sound editor who might need to layer a number of different sounds to create a single effect gunshots, snow falling, lion eating fossilised remains, that kind of thing , although there are obviously many musical uses for layering as well.

You could group the events, but there's no easy way to reference a conventional group, find it again, or use it in other Projects. Instead, you can now export these events as a Clip Package. A Clip Package is a single file that's created to store the chosen audio events, along with the their positions relative to each other in terms of time and track location. By default, Clip Packages are stored in your Project's Clip Packages folder, although you can chose another location if you wish.

When you want to re-use a Clip Package, you can look in the Pool, which lists the Clip Packages used in a given Project; or, alternatively, you can use the Media Bay. This allows you to search and browse for all indexed Clip Packages on your system, and, when you find the one you want to use, you can simply drag it onto the Project window. Nuendo will reassemble the audio Events relative to the mouse cursor, and on the appropriate tracks, creating additional tracks where necessary.

Best of all, the newly created audio events from the Clip Package will be grouped automatically. Clip Packages are a neat solution for creating re-usable groups of audio events, and the fact that they exist on your storage device as single files makes it easy to share with different users and systems. There's only one small exception, which is if you include content from the VST Sound library in your Clip Package: in this case, only a reference to the audio will be stored in the file.

I'm not sure if this is a technical or legal limitation in terms of the licensing for the VST Sound content Steinberg provide , but I don't think it's really a big deal. So long as different systems all have the same VST Sound content installed, everything will work just fine. In any case, I expect most users will find this feature more useful for their own content rather than a factory library. A nice touch is that Clip Packages can also contain any automation that corresponds with the location of the selected audio Events.

Simply export the Clip Package, making sure the Read Automation buttons are enabled on the appropriate tracks; and now, when you import that Clip Package, Nuendo will ask if you want the automation as well. This would be a potentially great way for indexing ideas for those who use Nuendo in a more musical context, or even a feature that could eventually trickle back down to Cubase.

Direct Routing makes it possible to route the output of a single channel to multiple outputs. Note that the slots shown in black are active. Over the years, Nuendo's mixer has evolved from one of the least flexible to one of the most flexible, especially in terms of signal routing, and version 5 adds a number of new features and refinements.

In Nuendo 5, this issue has finally been addressed, thanks to the implementation of the new and rather powerful Direct Routing mode. To configure Direct Routing, a new extended view is provided in the Mixer window, along with a new Inspector section that's conveniently hidden by default.

Of the eight slots, the first is the channel's main output, while the remaining seven are the additional Direct Routing slots. By default, output selection is exclusive, meaning that only one output slot can be made active at any time. However, by enabling Summing Mode via a button at the top of each channel's view , you can activate more than one slot.

If Steinberg had stopped there with Direct Routing, it would already have been a great feature. But they have, in fact, gone much deeper. For starters, you can automate the switching of active destination slots. Even though there's an audible bump when you switch slots, this is still a handy feature if you need or want to switch a channel between multiple mix buses within a single mix. Another great provision of Direct Routing is automatic upmixing and downmixing.

This means that if you have a channel where the main output is 5. Similarly, if a channel's main output is stereo and you use an extra slot to route it to a 5. Staying on the subject of routing, another welcome improvement to Nuendo's Control Room is the addition of Monitor Sources, which replaces the previous External Inputs functionality. Previously you could use the External Inputs to route and monitor up to six hardware inputs in the Control Room, which was great for incorporating CD players and other audio devices into your studio system.

The new Monitor Sources feature builds on this idea and enables you to create a maximum of seven different Monitor Sources from inputs, groups, or outputs — in addition to the main output. Having such flexible options for creating different monitor sources is really great.

So in Nuendo 5 you can now create different monitor sources to monitor different sections of your overall mix, although I could easily see certain mix engineers wanting more than seven sources when presented with such flexibility. A useful addition to the Monitor Sources section is the Multiple Monitor Sources button, which, when enabled, makes it possible for more than one Monitor Source to be active at the same time. Nothing to do with surf measurements, this new extended view presents a scrolling, summed waveform of the audio playing back on a given channel.

It would be churlish to complain about this limitation, since seeing a live waveform view for any audio channel would really be more frivolous than fruitful. The Wave Meter display is actually more useful for editing, since it can be helpful to see an overview across many channels when cueing up an edit, especially when shuttling and scrubbing the latter operation having been improved in Nuendo 5.

The ASIO driver may also provide special support for multiple inputs and outputs, routing, synchronization, etc. Audio card-specific ASIO drivers are provided by the card manufacturers. If your audio hardware comes with a specific ASIO driver, we strongly recommend that you use this. No additional driver is needed.

Nuendo supports DirectX, or to be more precise, DirectSound, which is a part of DirectX used for playing back and recording audio. This requires two types of drivers:. If the audio card supports DirectX, this driver should be supplied by the audio card manufacturer. This driver is included with Nuendo, and does not require any special installation.

Please read the following section before installing the Nuendo software. Nuendo will not run if there is no USB-eLicenser containing an activated license. If you want to activate a license for such a Steinberg software e. More information on the transfer or activation of licenses can be found in the help for the eLicenser Control Center.

Install the driver for the card. All hardware-protected Steinberg products use the same type of device, and you can store more than one license on one device. Also, licenses can within certain limits be transferred between USB-Licensers — which is helpful, e. The USB-eLi- censer already contains a time-limited license that allows you to use Nuendo out-of-the-box for a total of 25 non-con- secutive hours.

However, to be able to make unlimited use of your version of Nuendo, you must activate your permanent license manually, using the activation code. This driver is included with Nuendo and does not require any special installation.

If your audio card is DirectX compatible, its DirectX drivers will most likely be installed when you install the card. If you are using a Macintosh computer, make sure that you are using the latest Mac OS X drivers for your audio hardware.

To make sure that the audio card works as expected, perform the following tests:. Windows Media Player or Apple iTunes. Installation instructions for a MIDI interface should be included with the product. Install the driver for the interface, as described in the documentation that comes with the interface. Follow the instructions on screen. If you plan to record audio on a hard disk where you have already stored other files, now is the time to defragment it.

Defragmentation reorganizes the physical allocation of space on the hard disk in order to optimize its performance. It is done with a special defragmentation program. It is crucial to the audio recording performance that your hard disk is optimized defragmented. You should make sure to defragment regularly.

We encourage you to register your software! By doing so you are entitled to technical support and kept aware of updates and other news regarding Nuendo. This option is an Internet link that will open the Registration page of the Steinberg web site. To register, simply follow the instructions on screen. From there you can start the installation of Nuendo and browse through the additional options and information presented there.

In case you do not want to install Nuendo via the interactive start screen, follow the procedure below:. Double-click the file called Setup. Make sure that all equipment is turned off before making any connections! Exactly how to set up your system depends on many different factors, e.

Therefore, the following sections can only serve as examples. How you connect your equipment, i. If you only use a stereo input and output from Nuendo, you can connect your audio hardware, e. Most likely however, you will have other audio equipment that you want to integrate with Nuendo, using several input and output channels.

Depending on the equipment available to you, there are two ways to go: either mixing using an external mixing desk, or mixing using the Mixer inside Nuendo. The four outputs are connected back to the mixer for monitoring and playback. Remaining mixer inputs can be used for connecting audio sources like microphones, instruments, etc.

This is probably the simplest of all setups — once you have set up the internal input and output busses, you can connect your audio source, e. You may also have mixing hardware that can be connected via FireWire. Use the outputs to connect your monitoring equipment. If you plan to mix for surround sound, you can connect the audio outputs to a multi-channel power amplifier, driving a set of surround channels.

Nuendo supports a number of surround formats. In some cases the CD player is internally connected to the audio hardware so that you can record the output of the CD player directly into Nuendo consult the audio hardware documentation if you are uncertain.

If you are using a digital audio connection, you may also need a word clock connection between the audio hardware and external devices. Please refer to the documentation that came with the audio hardware for details. It is very important that word clock synchronization is done correctly or there might be clicks and crackles in recordings that you make!

When you connect your equipment, you should make sure that the impedance and levels of the audio sources and inputs are matched. Please check the audio hardware documentation for details. Using the correct types of input is important to avoid distortion or noisy recordings. Nuendo does not provide any input level adjustments for the signals coming in to your audio hardware, since these are handled differently for each card.

Adjusting input levels is either done in a special application included with the hardware or from its control panel see below. Most audio cards come with one or more small applications that allow you to configure the inputs of the hardware to your liking. This includes:. This is very important! In some cases, there may be several different applications and panels — please refer to the audio hardware documentation for details.

These devices can be plugged in and switched on while the application is running. Nuendo will automatically use the driver of the MR series and will re-map the VST connections accordingly. Steinberg cannot guarantee that this will work with other hardware. If you are unsure of whether your device supports plug and play, please consult its documentation. The first thing you need to do is select the correct driver in Nuendo to make sure that the program can communicate with the audio hardware:.

Launch Nuendo and select Device Setup from the Devices menu. There may be several options here that all refer to the same audio hardware. When you have selected a driver, it is added to the Devices list. Under Windows, we strongly recommend that you access your hardware via an ASIO driver written specifically for the hardware. If no ASIO driver is installed, we recommend that you check with your audio hardware manufacturer if they have an ASIO driver available, for example, for download via the Internet.

Select the driver in the Devices list to open the driver settings for your audio hardware. Bring up the control panel for the audio hardware and adjust the settings as recommended by the audio hardware manufacturer. The control panel that opens when you click this button is provided by the audio hardware manufacturer — not Nuendo unless you use.

DirectX, see below. Hence it will be different for each audio card brand and model. See also the notes on DirectX below. Note that this button is available only for some hardware products. This will allow another application to play back via your audio hardware even though Nuendo is running.

The application that is currently active i. Make sure that any other audio application accessing the audio hardware is also set to release the ASIO or Mac OS X driver so Nuendo can use it when it becomes the active application again. On the page for the driver, activate the Externally Clocked option if your audio hardware receives clock signals from an external sample clock source. In the list on the left in the window, all available Direct Sound output and input ports are listed.

In many cases, there will be only one port in each list. To activate or deactivate a port in the list, click the checkbox in the left column. If the checkbox is ticked, the port is activated. In most cases, the default settings will work fine. Audio buffers are used when audio data is transferred between Nuendo and the audio card. While larger buffers ensure that playback will occur without glitches, the latency the time between the moment Nuendo sends out the data and when it actually reaches the output will be higher.

If a constant offset is audible during playback of Audio and MIDI recordings, you can adjust the output or input latency time using this value. If your audio hardware and its driver support ASIO Direct Monitoring, you may want to activate the Direct Monitoring checkbox on the page for the driver. Click Apply and then OK to close the dialog.

Once you have selected the driver and made the settings as described above, you need to specify which inputs and outputs will be used and name these:. In the Device Setup dialog, select your driver in the Devices list on the left to display the driver settings for your audio hardware.

If you attempt to hide a port that is already used by a bus you will be asked whether this is really what you want — note that this will disable the port! For example, if you are using a 5. This makes it easier to transfer your projects between different computers, e. In Nuendo, monitoring means listening to the input signal while preparing to record or while recording.

There are three ways to monitor:. External monitoring listening to the input signal before it goes into Nuendo requires an external mixer for mixing the audio playback with the input signal. In this case, the audio passes from the input into Nuendo, possibly through Nuendo effects and EQ and then back to the output. You control monitoring via settings in Nuendo. This allows you to control the monitoring level from Nuendo and add effects to the monitored signal only.

If your audio hardware is ASIO 2. In this mode, the actual monitoring is done in the audio hardware, by sending the input signal back out again. However, monitoring is controlled from Nuendo. However, when setting up, there is one thing to note:. This section describes how to connect and set up MIDI equipment. If you have no MIDI equipment, you can skip this section.

Note that this is only an example — you might need or want to hook things up differently! The sound module is used for playback only. When Local Control is turned off, this connection is cut off. In this hook-up, you will always play the first keyboard when recording.

But you can still use all your devices for providing sounds on playback. If you plan to use more than three sound sources, we recommend that you either use an interface with more than one output, or a separate MIDI Thru box instead of the Thru jacks on each unit.

If you are trying to hide a MIDI port which is already selected for a track or a MIDI device, a warning message will appear, allowing you to hide — and disconnect — the port or to cancel the operation and keep the MIDI port visible. This can be especially useful if your system provides several instances of the same physical MIDI input — by deactivating the duplicates you make sure only the desired MIDI data is recorded.

When using Nuendo with external tape transports, you will most likely need to add a synchronizer to your system. QuickTime is used as playback engine. There are several ways to play back video, e. If you plan to use special video hardware, install it and set it up as recommended by the manufacturer. This section gives you some hints and tips on how to get the most out of your Nuendo system, performance-wise.

Some of this text refers to hardware properties and can be used as a guide when upgrading your system. This text is very brief. Look for details and current information on the Nuendo web site! Simply put: the faster your computer, the more tracks, effects and EQ you will be able to play. Another aspect of performance is response time.

The more and larger those chunks, the higher the latency. High latency is most irritating when playing VST instruments and when monitoring through the computer, i. However, very long latency times several hundred milliseconds can also affect other processes like mixing, e.

While Direct Monitoring and other techniques reduce the problems associated with very long latency times, a system that responds fast will always be more convenient to work with. For details, refer to the audio hardware documentation, or, if you are using a DirectX driver under Windows, the dialog help.

This limitation is imposed by the operating system, and it is independent of the amount of RAM that you may have installed in your computer! When a function has used up all the memory made available by the operating system, the computer will crash. Always keep in mind the RAM limitation of your operating system when setting up your projects. It goes without saying that the faster the computer processor, the better. But there are a number of factors that affect the apparent speed of a computer: the bus speed and type PCI is strongly recommended , the processor cache size and of course, the processor type and brand.

Nuendo relies heavily on floating point calculations. When shopping for a processor, please make sure that you get one that is powerful in calculating floating point arithmetics. Note also that Nuendo features full support for multi-pro- cessor systems. So, if you own a computer system with more than one processor, Nuendo can take advantage of the total capacity and evenly distribute the processing load to all available processors.

The number of hard disk tracks you can record and play back at the same time also depends on the speed of your hard disk and hard disk controller. DMA transfer mode is enabled by default, but may be turned off by the system should hardware problems occur.

The hardware and its driver can have some effect on regular performance. A badly written driver can reduce the performance of your computer. But where the hardware driver design makes the most difference is with latency. Again, we strongly recommend that you use audio hardware for which there is a specific ASIO driver!

Select the Advanced tab and click the Settings button in the Performance section. Click OK to close the dialogs. Audio buffers affect how audio is sent to and from the audio hardware. The size of the audio buffers affects both the latency and the audio performance. Generally, the smaller the buffer size, the lower the latency. On the other hand, working with small buffers can be demanding for the computer.

If the audio buffers are too small, you may get clicks, pops or other audio playback problems. When this is activated and there is more than one CPU in your system, the processing load is distributed evenly to all available CPUs, allowing Nuendo to make full use of the combined power of the multiple processors. See the dialog help for details. It is recommended that you check this from time to time, or keep it always open.

Even if you have been able to activate a number of audio channels in the project without getting any warning, you may run into performance problems when adding EQ or effects. The more tracks, effects, EQ, etc. If the overload indicator on the far right lights up, the hard disk is not supplying data fast enough to the computer. If this does not help, you need a faster hard disk. This does not indicate a problem, but happens because the program needs a moment for all channels to load data for the new playback position.

This chapter focuses on the settings you can perform in the VST Connections window. Here you can set up input and output busses, group and FX channels, external effects, and external instruments. Furthermore you can use this window to configure the Control Room and access the Control Room itself.

Since input and output busses are vital for working with Nuendo, a large part of this chapter concentrates on busses and this is also the reason why you find this chapter at the beginning of the Operation Manual. Nuendo uses a system of input and output busses to transfer audio between the program and the audio hardware. This means that when you record audio, you will always do this through one or several input busses.

When you play back audio, you will always do this through one or several output busses. Once you understand the bus system and know how to set up the busses properly, it will be easy to go on with recording, playing back, mixing, and doing surround work. It contains the following tabs:. You can create any number of busses in Nuendo, in virtually any channel configuration — mono, stereo or a number of surround formats.

When you start working on new projects, you start from this template. That way you get your standard bus configuration without having to make new bus settings for each new project. The templates can of course also contain other settings that you regularly use — sample rate, record format, a basic track layout, etc. So, which type of busses do you need? This depends on your audio hardware, your general audio setup e. Furthermore, you work with a surround setup in 5.

In this scenario, you may want to add the following busses:. This will let you record stereo material. If you want to be able to record in stereo from other analog input pairs as well, you add stereo input busses for these, too. This can be assigned to an analog input to which you have connected a dedicated microphone pre-amp, for example. Again, you can have several different mono busses. You may want additional surround busses if you tend to work in different surround formats.

For example, you may want a stereo output bus assigned to the same outputs as the front stereo channels in your surround bus — this enables you to listen to stereo mixes without having to reconnect your speakers. Before you set up busses, you should name the inputs and outputs on your audio hardware. The reason for this is compatibility — it makes it easier to transfer projects between different computers and setups.

For example, if you move your project to another studio, the audio hardware may be of a different model. But if both you and the other studio owner have given your inputs and outputs names according to the surround setup rather than names based on the audio hardware model , Nuendo will automatically find the correct inputs and outputs for your busses and you will be able to play and record without having to change the settings. To assign names to the inputs and outputs of your audio hardware, proceed as follows:.

Open the Device Setup dialog from the Devices menu. If this is the case, your audio card is listed in the Devices list on the left of the Device Setup window. In the Devices list, select your audio card. The available input and output ports on your audio hardware are listed on the right. To rename a port, click on its name in the Show As column and enter a new name. Disabled ports are not shown in the VST Connections window. If you attempt to disable a port that is used by a bus, you will be asked whether this is really what you want — note that this will remove the port from the bus!

This allows you to manually re-route ports used in the project to ports available in your system. For some audio cards, you can automatically retrieve the ASIO channel names for the ports of your audio hardware. Proceed as follows:. Open the Device Setup dialog via the Devices menu.

In the Devices list on the left, select your audio card. In the settings section on the right, click the Control Panel button. When you now open the VST Connections window to set up the busses in your system, you will find that the port names in the Device Port column correspond to the names that are used by the CoreAudio driver. On the settings page for your audio card opened via the Device Setup dialog, see above , you can specify which input and output ports are active. This allows you to use the Microphone input instead of the Line input or even to deactivate the audio card input or output completely, if required.

Pinnacle CineWave. Depending on whether you have selected the Inputs or the Outputs tab in the VST Connections window, the corresponding busses are listed, with the following information:. Open the Inputs or Outputs tab depending on the type of bus that you want to add. The Configuration pop-up menu contains a Mono and a Stereo option as well as several surround formats. For each of the speaker channels in the bus, click in the Device Port column to select a port on your audio hardware.

The pop-up menu that opens lists the ports with the names you have assigned in the Device Setup dialog. The Main Mix is the output bus that each new audio, group or FX channel is automatically routed to. Any of the output busses in the VST Connections window can be the default output bus. By right-clicking on the name of an output bus, you can set it as the Main Mix bus. The Main Mix is indicated by an orange colored speaker icon next to its name.

A surround bus is essentially a set of mono channels — 6 channels in the case of the 5. If you have a mono track in the project, you can route it to a separate speaker channel in the bus or route it to the parent surround bus and use the SurroundPanner to position it in the surround image.

But what if you have a stereo track that you simply want to route to a stereo channel pair within the bus Left and Right or Left Surround and Right Surround, for example? For this you need to create a child bus. In the Bus Name column, select the surround bus and right-click on it to open the context menu. The child bus that you created will be available for routing in the Mixer.

It is a part of the parent surround bus, which means that it has no separate channel strip. Although child busses are probably most useful in output busses, you can also create child busses within a surround input bus — for example if you want to record a stereo channel pair e. On the Inputs and Outputs tabs you will find a Presets menu. Here you can find three different types of presets:.

On startup, Nuendo analyzes the physical inputs and outputs provided by your audio hardware and creates a number of hardware-dependent presets with the following possible configurations:. You can then select the stored configuration directly from the Presets pop-up menu at any time. You can create new group or FX channels by clicking the corresponding Add button. This is useful if you have group or FX channels in surround format and want to route stereo channels to specific channel pairs in these.

Nuendo supports the integration of external effect devices and external instruments, e. To use external instruments, a MIDI interface must be connected to your computer. Connect an unused output pair on your audio hardware to the input pair on your external hardware device. In this example, we assume that the hardware device has stereo inputs and outputs. Connect an unused input pair on your audio hardware to the output pair on your hardware device.

Note that you will not get a warning message! Enter a name for the external effect and specify the send and return configurations. Depending on the type of effect, you can specify mono, stereo or surround configurations. Note that delay compensation will only be applied for the effect when you use MIDI devices. If you like, make additional settings for the bus.

These are found in the columns to the right. Note that you can adjust these while actually using the external effect — which may be easier as you can hear the result. You can adjust these as necessary while playing back. It provides Nuendo with a Delay value to be used for delay com-.

Like any effect, you can use the external FX bus as an insert effect or as a send effect an insert effect on an FX channel track. You can deactivate or bypass the external effect with the usual controls. Note that you can adjust these while actually using the external instrument — which may be easier as you can hear the result.

The following options are available:. To set up an external instrument in the VST Connections window, proceed as follows:. Open the VST Instruments window and click on an empty instrument slot. On the Instrument pop-up menu, your external instrument is listed on the External Plug-ins submenu:.

When you select the external instrument in the VST Instruments window, the following happens:. This may either be the Device window, allowing you to create a generic device panel, an OPT editor window or a default editor. This ensures use of delay compensation. The instrument will now play any MIDI notes it receives from this track and return them to Nuendo through the return channel s you have set up.

Favorites are device configurations that you can recall at any time, like a library of external devices that are not constantly connected to your computer. They also allow you to save different configurations for the same device, e. A context menu is displayed showing an option to add the selected effect or instrument to the Favorites. This will happen when you remove an external device from the VST Connections window although it is used in a saved project, or when transferring a project to another computer on which the external device is not defined.

You may also see this message when opening a project created with an earlier version of Nuendo. In the VST Connections window, the broken connection to the external device is indicated by an icon in the Bus Name column. The icon is removed, and you can use the external device within your project as before. Just as when working with regular VST instruments and effects, you can also choose to freeze external effects and instruments.

Note that you have to perform Freeze in realtime. Otherwise external effects will not be taken into account. When freezing external instruments or effects, you can adjust the corresponding tail value in the Freeze Channel Options dialog:. You can also click directly in the value field and enter the desired value manually the maximum value being 60s. On the different tabs of the VST Connections window the corresponding busses or channels are shown in a table containing a tree view with expandable entries.

Nuendo provides a number of features to make such tasks easier. To give you an idea how many busses a given port is already connected to, the busses are shown in square brackets on the Device Port pop-up menu, to the right of the port name. Up to three bus assignments can be displayed in this way.

If more connections have been made, this is indicated by a number at the far right. In some cases i. Once a port has been assigned to such a bus or channel, it should not be assigned to another bus since the assignment to the first bus is broken in that case. To help you identify such exclusive port assignments and avoid accidental reassignment, the corresponding ports are marked in red on the Device Port pop-up menu. Note that for this to work the table on the current tab needs to have the focus.

This can be achieved by clicking anywhere on the background of the table. This is useful for automatic renaming or changing the port assignments globally, see below. In the Bus Name list you can jump to an entry by typing the first letter of the bus name on the keyboard. This will only work if the table has the focus. To do this, simply select any list entry.

By pressing the [Tab] key you can jump to the next entry in the Bus Name list, allowing you to rename your busses quickly. Similarly, by pressing [Shift]-[Tab] you can return to the previous list entry. You can rename all the selected busses at once using incrementing numbers or letters from the alphabet.

All other busses are renamed automatically. All other channels are renamed automatically. The last letter to be used is Z. If you have more selected entries than there are letters available, the remaining entries will be skipped. When using letters instead of numbers it is important to note that these must be preceded by a space. If you leave out the space before the letter or if you do enter neither a letter nor a number, only the first selected entry is renamed.

The renaming will start from the bus where you edit the name, will go down the list to the bottom and then continue from the top until all selected busses have been renamed. To change the port assignment for a single bus, you proceed as when you added it: Make sure that the channels are visible and click in the Device Port column to select ports.

Exclusive ports e. To remove a bus you do not need, select it in the list, rightclick and select Remove Bus from the pop-up menu, or press [Backspace]. The Project window is the main window in Nuendo. This provides you with an overview of the project, allowing you to navigate and perform large scale editing. Each project has one Project window. Project overview. The event display, showing audio parts and events, MIDI parts, automation, markers, etc. The Project window is divided vertically into tracks, with a timeline running horizontally from left to right.

The following track types are available:. For more information on in-. Events are the basic building blocks in Nuendo. Different event types are handled differently in the Project window:. MIDI parts are rearranged and manipulated in the Project window. This is useful if you have a number of events which you want to treat as one unit in the project. Audio parts also contain information about the time position in the project.

For example, in the Project window event display, the tool will show the current pointer position and the name of the track and event you are pointing at. The track list displays all the tracks used in a project. It contains name fields and settings for the tracks. Different track types have different controls in the track list.

Indicate whether effect sends, EQ, or insert effects are activated for the track. Click to bypass. The area to the left of the track list is called the Inspector. This shows additional controls and parameters for the track you have selected in the track list. If several tracks are selected, the Inspector shows the setting for the first topmost selected track. For most track classes, the Inspector is divided into a number of sections, each containing different controls for the track.

Which sections are available in the Inspector depends on the selected track. Clicking the name for a hidden section brings it into view and hides the other sections. For example, if you have set up a track parameter or activated an effect, your settings will still be active even if you hide the respective Inspector section. Not all Inspector tabs are shown by default. The Inspector contains the controls that can be found on the track list, plus some additional buttons and parameters. In the table below, these additional settings and the different sections are listed.

Which sections are available for which track type is described in the following sections. The Edit button at the. The Edit button at the top of the sec-. The Edit button above a slot opens the control. For the arranger track, the Inspector displays the lists of available arranger chains and arranger events. When a folder track is selected, the Inspector shows the folder and its underlying tracks, much like a folder structure in the Windows Explorer or Mac OS X Finder.

When an FX channel track is selected, the following controls and sections are available:. FX channel tracks are automatically placed in a special folder, for easier management. When this folder track is selected, the Inspector shows the folder and the FX channels it contains.

When a group channel track is selected, the following controls and sections are available:. Just like FX channel tracks, all group channel tracks are placed in a separate folder — when this is selected, the Inspector shows the folder and the group channels it contains. When the marker track is selected, the Inspector shows the marker list. When the transpose track is selected, the following controls and sections are available:.

For the signature track and the tempo track, the Inspector displays a list of all time signature events or tempo events. The toolbar contains tools and shortcuts for opening other windows and various project settings and functions. Nuendo permits different sample rate settings for a project and the audio hardware. However, as a result the audio files in a project will not play back in their original pitch.

The same applies to the Project Audio Pull field. The info line shows information about the currently selected event or part in the Project window. You can edit almost all values on the info line using regular value editing. The following elements can be selected for display and editing on the info line:. The values are displayed in color to indicate that several elements are selected. If you have selected two audio events, the first being one bar long and the second two bars, the info line shows the length of the first event one bar.

If you now change this value to 3 bars in the info line, the other event will be resized by the same amount — and will thus be 4 bars long. In the example above, both events would be resized to 3 bars. Again, this velocity shift only affects the notes on playback, and again, the value you specify is added to the Vel. The overview line is displayed below the info line in the Project window.

In the overview line, events and parts on all tracks are displayed as boxes.

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