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Interview Photos Top cast Edit. Sean Maguire Leonidas as Leonidas. Kevin Sorbo Captain as Captain. Ken Davitian Xerxes as Xerxes. Diedrich Bader Traitoro as Traitoro. Jareb Dauplaise Dilio as Dilio. Travis Van Winkle Sonio as Sonio. Phil Morris Messenger as Messenger.

Jim Piddock Loyalist as Loyalist …. Hunter Clary Leo Jr. More like this. Storyline Edit. Did you know Edit. Trivia The entire movie was shot in a week. Goofs When Leonidas asks Queen Margo to marry him by writing "Marry Me" on her chest with a Sharpie pen, the camera changes positions a couple times during the scene.

The words disappear each time the camera switches to the wider shot. Quotes Captain : I'm gonna go Hercules on your ass! Crazy credits If you stay half way through the end credits, there are some alternative scenes and outtakes to watch.

Alternate versions An unrated version was released on DVD, which features additional scenes not suitable for a PG rating. Connections Featured in Troldspejlet: Episode User reviews Review. Top review. Worst movie i've seen in a theater. I was recently forced to sit through Meet the Spartans. It's been overdone and only appeals to people under the age of 9.

The humor in this movie was just as awful as i thought it would be and i could predict the entire movie. I was told before-hand that it was only about 90 minutes, and was a little upset id be paying for that. After watching the movie i was beyond glad that i only had to be tortured for that long, rather than the usual 2 hours. I'll close by saying that if you're forced to watch this movie, rip your eyes out of your skull and pour salt into your head.

It will be much more enjoyable. The next day, Mrs Park hosts a house party for Da-song's birthday with the Kim family's help. Ki-woo enters the bunker with the scholar's rock to find Geun-sae. Finding Moon-gwang has died from a concussion she received during the earlier fight, he is attacked by a deranged Geun-sae, who bludgeons his head with the rock and escapes, leaving Ki-woo lying in a pool of blood at the entrance to the basement.

Seeking to avenge Moon-gwang, Geun-sae stabs Ki-jung with a kitchen knife in front of the horrified party guests. Da-song suffers another seizure upon seeing Geun-sae, and a struggle breaks out until Chung-sook fatally impales Geun-sae with a barbecue skewer.

In the chaos, Ki-taek, upon seeing Mr Park's disgusted reaction to Geun-sae's smell, angrily kills him with the knife. Ki-taek then flees the scene, leaving the rest of the Kim family behind. Weeks later, Ki-woo is recovering from brain surgery. He and Chung-sook are convicted of fraud and put on probation.

Ki-jung is revealed to have died from her injuries, and Ki-taek, wanted by the police for Mr Park's murder, cannot be found. Geun-sae has been assumed to be an insane homeless man, and neither his nor Ki-taek's motive for the stabbings are known. Ki-woo spies on the Parks' home, now occupied by a German family unaware of its history, and sees a message in Morse code from a flickering light.

Ki-taek, who escaped into the bunker via the garage, has buried Moon-gwang in the backyard and now raids the kitchen at night and sends the message every day, hoping Ki-woo will see it. Still living in their original basement apartment with his mother, Ki-woo writes a letter to Ki-taek, vowing to earn enough money to one day purchase the house and reunite with his father. The idea for Parasite originated in While working on Snowpiercer , Bong was encouraged by a theatre actor friend to write a play.

He had been a tutor for the son of a wealthy family in Seoul in his early 20s, and considered turning his experience into a stage production. Bong said "Because the story is about the poor family infiltrating and creeping into the rich house, it seems very obvious that Parasite refers to the poor family, and I think that's why the marketing team was a little hesitant.

But if you look at it the other way, you can say that rich family, they're also parasites in terms of labor. They can't even wash dishes, they can't drive themselves, so they leech off the poor family's labor. So both are parasites. After completing Snowpiercer , Bong wrote a fifteen-page film treatment for the first half of Parasite , which his production assistant on Snowpiercer , Han Jin-won, turned into three different drafts of the screenplay.

Bong said the film was influenced by the Korean "domestic Gothic" film The Housemaid in which a middle-class family's stability is threatened by the arrival of a disruptive interloper in the form of household help. Bong said "I got this feeling that I was infiltrating the private lives of complete strangers.

Every week I would go into their house, and I thought how fun it would be if I could get all my friends to infiltrate the house one by one. Darcy Paquet , an American residing in South Korea, served as translator for the English subtitles and worked directly with Bong. It is a mix of Chapagetti and Neoguri produced by Nongshim. Paquet believed the word ram-don did not previously exist as he found no results on Google. With an unfamiliar word, the humor is lost". Principal photography for Parasite began on 18 May , [22] [23] and ended days later on 19 September The Parks' house was a specially constructed set.

The ground floor and the garden were constructed on an empty outdoor lot, while the basement and first floor were constructed on set. Bong, as part of the scripting, had also designed the basic layout of this home. Each character and each team has spaces that they take over that they can infiltrate, and also secret spaces that they don't know. Lee said, "Since Mr Park's house is built by an architect in the story, it wasn't easy finding the right approach to designing the house I'm not an architect, and I think there's a difference in how an architect envisions a space and how a production designer does.

We prioritize blocking and camera angles while architects build spaces for people to actually live in and thus design around people. So I think the approach is very different. Lee said the sun was an important factor when building the outdoor set. In terms of practical lighting, the DP [director of photography Hong Kyung-pyo] had specific requests regarding the color.

He wanted sophisticated indirect lighting and the warmth from tungsten light sources. Before building the set, the DP and I visited the lot several times to check the sun's movement each time, and we decided on the set's location together".

The Kims' semi-basement apartment and its street were also built on set, partially out of necessity for filming the flooding scenes. He also created stories for the Kims' neighbours and added details of those residents along the street to improve the authenticity of the street's appearance. According to editor Yang Jin-mo, Bong Joon-ho chose to shoot the film without traditional coverage. To give them more editing options with limited shots, they sometimes stitched together different takes of the same shot.

The principal release and editing of the film was done for release in color. A black and white version of the film was produced prior to the world premiere in Cannes and debuted on 26 January at the International Film Festival Rotterdam and was re-screened from 29 to 31 January. It also received a limited release in some countries. Jung's music for Parasite consists of "minimalist piano pieces, punctuated with light percussion", which sets the film's "tense atmosphere".

When the song made it to the December shortlist for the 92nd Academy Awards in the Best Original Song category, [36] it was listed under a grammatically correct English title, "A Glass of Soju". The English titles of the scores listed below are as displayed in the back cover of the album and in the international digital releases of the soundtrack; [38] [39] the romanisation of names and nouns used are slightly different from those seen in the official English subtitles as translated by Darcy Paquet.

The soundtrack was released by Sacred Bones Records on vinyl in January and was co-released by Waxwork Records on a different colour variant of vinyl. The main themes of Parasite are class conflict , social inequality and wealth disparity. This term came about due to high rates of youth unemployment, the intense demands of pursuing higher education , the crisis of home affordability, and the increasing socio-economic gap between the wealthy and poor.

His soul is the soul of capital. But capital has one sole driving force, the drive to valorize itself, to create surplus-value , to make its constant part, the means of production, absorb the greatest possible amount of surplus labor. Capital is dead labor which, vampire -like, lives only by sucking living labor, and lives the more, the more labor it sucks. The film also analyses the use of connections and qualifications to get ahead, for rich and poor families alike.

Choi Woo-shik estimated that it would take approximately years for Ki-woo to earn enough money to purchase the house. Nevertheless, he was optimistic: "I'm pretty sure Ki-woo is one of those bright kids. He'll come up with some idea, and he would just go into the German family's house, and I think he will rescue his father.

Even in this fantasy scenario, Ki-taek would still be contained in the house by a legal system that would seek his prosecution and imprisonment. The forces that created and upheld the Kim family's separation would not be undone, merely adapted to. Critics have also considered the themes of colonialism and imperialism.

According to Ju-Hyun Park, the film plays out within "the capitalist economic order inaugurated and upheld in Korea by colonial occupation ," and the use of English language in the film denotes prestige within that economic system. Nulman points to the miasma theory of scent carrying disease where it was thought that the natives could catch disease just by smelling the noxious air carried by colonizing Spaniards.

This connects to the film's theme around the class distinction of smell. But in this family, that story is reduced to a young boy's hobby and decoration That's what happens in our current time: The context and meaning behind these actual things only exists as a surface-level thing".

Some critics note the importance of working class solidarity as presented in the film. The problems the Kims find themselves in were a result of a lack of class solidarity with the other poor family, Geun-sae and Moon-gwang. At the climax of the film, Mr Kim becomes aware of his class identity when Mr Park is disgusted with Geun-sae's smell. It was released in Australia and New Zealand by Madman Films on 27 June [62] becoming both the highest-ever-grossing Korean film in the region [63] and the distributor's highest-ever-grossing non-English-language film in Australia , [64] and then in the United States and Canada on 11 October It was licensed for the United Kingdom and Ireland by Curzon Artificial Eye at Cannes, and had preview screenings in cinemas nationwide with an interview with Bong Joon-ho shared live by satellite on 3 February , followed by the film's general release on 7 February.

Neon expanded the number of North American theatres showing the film from 1, to 2, starting the weekend of 14 February , following the film's recognition at the Academy Awards, [68] despite the film having already been released on home video in the region. On 24 February , the subscription-based streaming service Hulu announced that it had secured exclusive rights to stream the film in the United States, starting on 8 April In the United Kingdom, it was 's best-selling foreign language film on physical home video formats.

A special monochrome version of the film, Parasite: Black-and-White Edition , had its world premiere at the International Film Festival Rotterdam in January and was released in cinemas in some cities in the United States in the same month. On 5 February, Parasite became the first Korean film in nearly 15 years that surpassed one million moviegoers in Japan.

Following its Academy Awards success, Parasite received significant rescreening, generating significant further revenue. It also ranked No. Parasite also surged back to fourth place in South Korea's box office by attracting more than 80, viewers.

The website's critics consensus reads: "An urgent, brilliantly layered look at timely social themes, Parasite finds writer-director Bong Joon Ho in near-total command of his craft. Scott described the film as "wildly entertaining, the kind of smart, generous, aesthetically energized movie that obliterates the tired distinctions between art films and popcorn movies". Michael Wood writing for the London Review of Books found its following a theme of class consciousness to be consistent with the director's previous Snowpiercer stating, "The theme of social ascent, or social difference as a landscape, could hardly be more obvious, but we are beginning to get the movie's idea: not to avoid stereotypes but to keep crashing into them".

Club ' s A. It became the first South Korean film to do so, as well as the first film to win with a unanimous vote since Blue Is the Warmest Colour at the Cannes Film Festival. It became the second international film to ever be nominated for the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture since Life Is Beautiful , and ultimately won the category, making it the first international film to win the prize.

At the 56th Grand Bell Awards , Parasite earned a leading 11 nominations with 5 awards the most for the show to its name. During Bong Joon-ho's acceptance speech at the Oscars, he paused to thank Martin Scorsese , a co-nominated director, whom Bong recognised as having historical importance to the history of filmmaking which resulted in spontaneous applause from the audience in recognition of Scorsese during his speech.

The following day Scorsese sent the director a personal congratulatory letter which Bong reported while on a speaking engagement at the Film at Lincoln Center where Bong stated that he could not share the full letter from Scorsese due to its personal nature. He did, however, share the conclusion of the letter by stating that Scorsese told him that "You've done well. Now rest. But don't rest for too long.

A six-hour HBO limited series based on the film, with Bong and Adam McKay as executive producers, was announced to be in early development in January A South Korean local government Goyang City plans to restore the Goyang Aqua Special Shooting Studio set, where the film Parasite was produced, and use it as a Parasite movie experience tourism facility.

The Seoul Tourism Organization STO has been criticised by South Korea's opposition party and residents of Seoul for introducing a tour route featuring filming locations and stories from the film. The Justice Party claims that it became famous due to the universal recognition of global inequality. People began posting videos on how to make jjapaguri called "ram-don" in the film's English subtitles on YouTube after the film was distributed.

From Wikipedia, the free encyclopedia. Bong Joon-ho Han Jin-won. Release dates. Running time. Genie Music Stone Music Entertainment. Original track list No. Title Length 1. The name of the dish was translated as "ramdon" in the official English subtitles of the film.

See also: Economic inequality in South Korea. Main article: List of accolades received by Parasite. South Korea portal Film portal. The French-produced film was largely silent with French intertitles and contained a few spoken lines in English. CJ Entertainment. Archived from the original PDF on 10 January Retrieved 1 January Korean Film Biz Zone.

Archived from the original on 4 February Retrieved 3 February Cannes Film Festival. Archived from the original on 3 September Naver Movie. Archived from the original on 8 April Retrieved 8 April Archived from the original on 26 June Retrieved 26 June Deadline Hollywood.

Archived from the original on 28 April Retrieved 27 April Box Office Mojo. Archived from the original on 4 December Retrieved 30 January The Guardian. Archived from the original on 18 June Retrieved 11 June Archived from the original on 8 January Retrieved 10 February Archived from the original on 9 December Retrieved 23 January Archived from the original on 24 January Retrieved 24 January Yonhap News Agency.

Archived from the original on 18 September Retrieved 2 March The Hollywood Reporter. Archived from the original on 13 January Retrieved 18 January Archived from the original on 31 January Retrieved 31 January Archived from the original on 12 December Retrieved 12 February Alex 14 January Archived from the original on 15 January The Atlantic.

Archived from the original on 17 February Retrieved 16 February Archived from the original on 15 April Retrieved 15 April Archived from the original on 26 December Retrieved 9 February Los Angeles Times. Archived from the original on 8 February Retrieved 8 February Archived from the original on 30 April Screen Daily. Archived from the original on 27 July Archived from the original on 19 March Architectural Digest.

Archived from the original on 6 November Archived from the original on 30 March Retrieved 9 April Archived from the original on 4 November Retrieved 6 November Retrieved 23 June No Film School. Archived from the original on 18 January Retrieved 17 January Archived from the original on 27 September Retrieved 1 October Archived from the original on 9 February Retrieved 13 February Archived from the original on 13 February Classic FM.

Archived from the original on 16 February Archived from the original on 23 December Academy of Motion Picture Arts and Sciences. Archived from the original on 17 December Retrieved 26 February Archived from the original on 26 January Archived from the original on 11 March The Carletonian. Archived from the original on 8 June Archived from the original on 28 March Archived from the original on 29 September Retrieved 10 August Archived from the original on 16 January Entertainment Weekly.

Archived from the original on 3 February Coronavirus Capitalism Goes to the Cinema. London: Routledge.

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